Essence

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… what is that you express in your eyes ?
It seems to me more than all the print I have read in my life (…)

Walt Whitman, “Leaves of Grass”

 

Contemporary women trapped in the bi-dimensionality of a pictorial past, muses of an enigmatic world.

A point of view and a single location. A part of the whole. As being and as shape. An impression. A small fragment of the essence.

Windows, and at the same time, mirrors. Conflict between introspection and the projection of the subject inherent to portraiture. Transparency or reflection?

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  • Essence

    Mónica

    Madrid, Spain, 2009

    50 x 47,6 cm

    Edition of 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Elisa

    Madrid, Spain, 2009

    50 x 47,6 cm

    Edition of 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Marcela

    Madrid, Spain, 2010

    50 x 47,6 cm

    Edition of 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Emilia 

    Madrid, Spain, 2010

    50 x 47,6 cm

    Edition of 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Itziar

    Madrid, Spain, 2010

    50 x 47,6 cm

    Edition of 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Elsa

    Marseille, France, 2011

    50 x 47,6 cm

    Edition of 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Ana

    Madrid, Spain, 2009

    50 x 47,6 cm

    Edition of 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

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