Essence

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… ¿qué expresáis con vuestros ojos ?
Me parece que más que todos los libros que he leído en mi vida (…)

Walt Whitman, “Hojas de hierba”

 

Mujeres contemporáneas atrapadas en la bidimensionalidad de un pasado pictórico, musas de un mundo enigmático.

Un punto de vista y un solo lugar. Una parte del todo. Como ser y como forma. Un pequeño fragmento de la esencia.

Ventanas y a la vez espejos. Conflicto entre la introspección y la proyección inherente al retrato: ¿qué es del otro y qué es de uno?

Info

  • Essence

    Mónica

    Madrid, España, 2009

    50 x 47,6 cm

    Edición de 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Elisa

    Madrid, España, 2009

    50 x 47,6 cm

    Edición de 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Marcela

    Madrid, España, 2010

    50 x 47,6 cm

    Edición de 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Emilia

    Madrid, España, 2010

    50 x 47,6 cm

    Edición de 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Itziar

    Madrid, España, 2010

    50 x 47,6 cm

    Edición de 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Elsa

    Marsella, Francia, 2011

    50 x 47,6 cm

    Edición de 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

  • Essence

    Ana

    Madrid, España, 2009

    50 x 47,6 cm

    Edición de 5

     

    “What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.

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