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Essence
Mónica
Madrid, España, 2009
50 x 47,6 cm
Edición de 5
“What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.
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Essence
Elisa
Madrid, España, 2009
50 x 47,6 cm
Edición de 5
“What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.
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Essence
Marcela
Madrid, España, 2010
50 x 47,6 cm
Edición de 5
“What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.
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Essence
Emilia
Madrid, España, 2010
50 x 47,6 cm
Edición de 5
“What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.
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Essence
Itziar
Madrid, España, 2010
50 x 47,6 cm
Edición de 5
“What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.
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Essence
Elsa
Marsella, Francia, 2011
50 x 47,6 cm
Edición de 5
“What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.
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Essence
Ana
Madrid, España, 2009
50 x 47,6 cm
Edición de 5
“What are Ana Galan’s women thinking or feeling? I’m not quite sure but I want to know, and I keep studying their faces for answers. I admit I have a weakness for a series of photographs that lets me carefully compare the similarities and differences between things, but these portraits are particularly rewarding. Their ambiguous emotional state makes me stare right back. Here there is beauty in restraint.” Todd James, Senior Photo Editor, National Geographic Magazine. June 2011.
Essence
Info… ¿qué expresáis con vuestros ojos ?
Me parece que más que todos los libros que he leído en mi vida (…)
Walt Whitman, “Hojas de hierba”
Mujeres contemporáneas atrapadas en la bidimensionalidad de un pasado pictórico, musas de un mundo enigmático.
Un punto de vista y un solo lugar. Una parte del todo. Como ser y como forma. Un pequeño fragmento de la esencia.
Ventanas y a la vez espejos. Conflicto entre la introspección y la proyección inherente al retrato: ¿qué es del otro y qué es de uno?
Info